Sneaky Pete's

Horsebath are a Canadian country band known for rich harmonies, classic songwriting and a sound steeped in vintage Americana. Formed in Vancouver (with members originally from across Western Canada), the group lean into traditional country textures — pedal steel, warm guitars and three-part harmonies — while bringing a fresh, contemporary sensibility to their storytelling. Their music feels timeless rather than revivalist, drawing heavily from ‘60s and ‘70s country and cosmic Americana. Lyrically, Horsebath focus on heartache, distance, longing and the open-road melancholy that defines classic country music. There’s a softness and sincerity to their delivery that gives their songs a worn-in, late-night glow. They’ve built a strong live reputation for tight musicianship and harmonies that feel both loose and deeply locked-in — more road-worn barroom than polished Nashville sheen.

Over the last 6 months, Airospace has built an incredible cult following & family in Scotland through social media. With raw honesty and authenticity, he has also built a reputation as one of the most exciting voices in alternative hip-hop, exploring resilience, struggle and hope with striking intensity and emotion.

In August, Airospace returns to Scotland for his second tour of the country – Cryfest 2026

Young musicians come together to play a modern twist on the songbook of John Coltrane. Replacing piano with guitar, this band explores modern jazz while staying firmly rooted in the intensity and deep lyricism of Coltrane’s music. Expect searching improvisation, powerful groove and a unique spin on the music of one of the great jazz improvisers.

Harry Miles-Watson & The Union are refreshingly different, incorporating a varied melting pot of genres and styles, with aspects of post-punk, folk, country, rock, pop and even jazz. The Edinburgh-based band have already sold out several shows in Scotland’s capital city, headlined Glasgow’s King Tuts and played gigs in Manchester, Leeds, and London. They’ve also secured the Artist of the Week spot in Scotland On Sunday.

Praised by BBC Music Introducing, Scotland On Sunday, The Herald, God Is In The TV, The Skinny, Loud Women airplay via Amazing Radio and as far afield as Australia (including the number 1 spot on Valley FM 89.5) and in the US. PELOWSKA is producer, lyricist, singer songwriter Aneshka Pelowska and Dave Tynan. The duo has already surpassed 200,000 streams across Spotify and YouTube, bolstered by the striking video for Deep Water — directed by visionary Simon Hay (Callum Beattie’s collaborator) and co-written with renowned Croatian composer Marko Tomasovi?. PELOWSKA are fast building a loyal following with headline shows, festival appearances, and support slots for touring acts from across Europe and America.

“ Hyperphantasia is: Unhinged, unrestrained, self-indulgent bat-shit pop music from an alternate dimension. A beautiful, synthetic hall of mirrors head rush… Like taking every style I’ve worked with amping them up to 11 and firing them off a cliff” ?- Lone

Enter the kaleidoscopic world of Lone – returning to Greco-Roman for his first album in five years, ‘Hyperphantasia’. An artist who has been soundtracking dancefloors since the early 2000s, Lone (real name Matt Cutler) made his production debut in 2008 with “Lemurian”, a hip-hop inspired release before moving into the vibrant future-facing soundscapes we have come to know.

His back catalogue ranges through house, rave, ambient and electronica, and on ‘Hyperphantasia’, Cutler sets himself the challenge to bring all of those influences together for one body of work that he describes ‘like an album in my mind’.

Referring back to the album title, the definition of hyperphantasia is a condition characterized by exceptionally vivid and detailed mental imagery and for this album he tested himself to see how close he could get the music to sound exactly like what he was hearing in his imagination. ??

On Hyperphantasia, Lone deepens his relationship with vocals. Having previously relied on vocal samples or more abstract live vocal treatments, this latest album marks a shift toward richer, more pop-leaning sensibilities. Cutler makes a clear lyrical statement, enlisting a diverse and carefully chosen cast of collaborators: London-based artists and fellow Greco-Roman affiliates Ell Murphy and Lou Hayter, Barcelona’s breakthrough singer Bikôkô, cult Nottingham rapper Juga-Naut, and Hong Kong-born, London-based musician Merry Lamb Lamb. Together, they contribute to what stands as a career-defining project.

The end result is a cinematic experience exploding full of colour. You are introduced to the album with an old school rave anthem ‘Life Spark’ and an interlude welcoming you into this musical world. Like chapters in a novel, the album ebbs and flows beautifully between stripped-back melodies ‘Opening A Portal’, ‘Photographs That Don’t Exist’, ‘Sickly, Sweetly, Summer Movie’ and ‘Fruit Rots, Water Floats Downstream’, bubbling feel-good house ‘Affinity (Cloud Four Four Mix)’, ‘Triton’ and ‘ Wemove’, the rap-influenced ‘Throw The Ember’ and epic future-pop tracks ‘Miracle Mile’, ‘Big World’, ‘Scattergun’ and ‘Home’. The album ends with a full circle moment, back to the early hardcore and jungle rave scene, on ‘Ascenscion.png’.

Silver Dollar Room are an alternative rock band from Edinburgh blending 90s alternative rock influences with modern flair.

Dom Malin has built his life around music. From acquiring his first electric guitar at 12-years-old, he has never let go of that childlike wonder and passion for creating music. He’s continually inspired by the potent connection between music and memory, how a song can transport you back to a certain time or place.

British underground icons The Bevis Frond have unveiled details of their new album, Horrorful Heights, set for release on April 3rd (via Fire Records). The announcement heralds a new chapter for songwriter, guitarist, and frontman Nick Saloman, showcasing the band’s enduring blend of melodic psychedelia and wiry guitar epics.

The Bevis Frond, the band name used by Nick Saloman for his projects, released Miasma in 1986 to great acclaim from fans of psychedelic rock. A steady stream of LPs since then showcase Nick’s strengths of strong songwriting, finely crafted lyrics, and a musical mixture from wig-out guitar jams to sensitive folky numbers.