A TORN MIND + Jackie Treehorn

February 26th, 2010

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SO SO MODERN

February 24th, 2010

Wellington NZ’s So So Modern are “Futuristic schizoid noise merchants from New Zealand and are guaranteed to give you a synthgasm”.

“So So Modern aren’t so much modern, or even postmodern, subtly incorporating elements from rock’s rich tapestry, they are more past-modern. They sound like two groups – a retro garage band and a forward-looking techno one – fighting for control in one band’s body. They call what they do “futuristic schizoid noise pop” and it is a bit like that: just when you think it’s going to be pristine machine beats all the way, these NZ B (for “barmy”) boys go and splatter filthy guitars everywhere.

Their sound is a crash collision of New York No Wave and nu rave, krautrock and math rock, E’d-up acid house at its most exuberant and electronica at its most elegant. One of their tracks, The New Internationale, sounds like Battles in a battle with the Beastie Boys of Intergalactic, or Kraftwerk if they decided to make a grunge record, while another, Loose Threads and Theremins, has the demented propulsion and Ritalin-enriched yelps of Klaxons. But mostly they sound like Klaxons and Kraftwerk together, at once, joined at the hip, doing the Watusi at Gatecrasher.” – The Guardian



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THE PARTY PROGRAM + Knee Deep In The Dead + Dead At The Scene

February 22nd, 2010

Come down for £3 banter, this is The Party Program’s UK tour warmup.

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GAY FOR JOHNNY DEPP

February 21st, 2010

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KESER ALBUM LAUNCH + Shutter

February 21st, 2010

“If Martin Hannett had lived to see 2009, I’m sure he’d have loved to produce an album like Robo_Ghost. As it happens, Keser have done a pretty good job without him. The dub-eyed urban soundscapes that Hannett unleashed with Joy Division’s Unknown Pleasures are translated in the modern vernacular…It’s a collection so image-laden that it dares you to write a dystopian movie screenplay, just so it can provide the soundtrack.”
4/5, The Skinny

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WASABI DISCO feat. Devil Disco Club DJs

February 20th, 2010

web-wasabi-FRONTFrequently cited in the press as one of Scotland’s best nights, Wasabi Disco is some hot hot heat.

Resident Kris Wasabi is now away touring South America for a few months, and we have a fantastic lineup to hold the fort while he’s sunning himself.

This month it’s the Devil Disco Club DJs, Wasabi’s disco bretheren who’ve been making such a big noise at the Bongo club lately.

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DOMINIC WAXING LYRICAL + support

February 20th, 2010

Featuring and all star cast of members of Clean George IV and Aberfeldy, Dominic’s wonky vision has moved away from near poetic cabaret performances to a real rock’n’roll show. Casual listeners might note a similarity to Art Brut, careful listeners are rewarded by Dominic’s accomplished lyrical gift.

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THIS IS MUSIC

February 19th, 2010

DJs Bargain Harold and Tallah Disco will be partying hard after the amazing First Aid Kit perform in the gig slot.

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green day images

February 19th, 2010

green-day-610-x-240green-day-90-x-90

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FIRST AID KIT + The Last Battle (df concerts)

February 19th, 2010

Tickets here. (not the link above)

Written by: Doug Johnstone
Some people are just born talented, it would seem, and so it is with the extraordinarily gifted First Aid Kit, the band consisting of teenage Swedish sisters Klara and Johanna Soderberg. Aged 16 and 19 respectively, the sisters have only been playing together for a couple of years, having been originally inspired by Connor Oberst’s Bright Eyes, but despite that lack of experience, the Soderberg’s voices have to be heard to be believed, two wondrous, earthy, mournful and uplifting sounds that intertwine with mesmerising fashion throughout this remarkable debut album.
Influenced by nu-folk outfits such as Fleet Foxes and Midlake, First Aid Kit sound somehow very modern and timeless at the same time, using stripped down acoustic guitar or organ arrangements for the most part here to place their unique vocals to the fore. This is none more obvious than on opener ‘In the Morning’, a stunning and haunting partially a cappella lament which paves the way for a display of mature songwriting filled with the sorrows of the world, dripping with a heartbreak and disillusion that the Soderberg’s voices lend a brutal kind of authenticity.
From the exaltation of atheism in recent single ‘Hard Believer’ to the sublime country-gospel rattle of ‘Josefin’, it’s astonishing stuff, and despite the appropriation of old American folk and country sounds by a couple of Swedish girls with a combined age less than Will Oldham, it’s somehow utterly convincing. Talent such as this can’t be taught, it’s a gift, one which First Aid Kit are putting to awe-inspiring use.
Some people are just born talented, it would seem, and so it is with the extraordinarily gifted First Aid Kit, the band consisting of teenage Swedish sisters Klara and Johanna Soderberg. Aged 19, the sisters have only been playing together for a couple of years, having been originally inspired by Connor Oberst’s Bright Eyes, but despite that lack of experience, the Soderberg’s voices have to be heard to be believed, two wondrous, earthy, mournful and uplifting sounds that intertwine with mesmerising fashion throughout this remarkable debut album.
Influenced by nu-folk outfits such as Fleet Foxes and Midlake, First Aid Kit sound somehow very modern and timeless at the same time, using stripped down acoustic guitar or organ arrangements for the most part here to place their unique vocals to the fore. This is none more obvious than on opener ‘In the Morning’, a stunning and haunting partially a cappella lament which paves the way for a display of mature songwriting filled with the sorrows of the world, dripping with a heartbreak and disillusion that the Soderberg’s voices lend a brutal kind of authenticity.
From the exaltation of atheism in recent single ‘Hard Believer’ to the sublime country-gospel rattle of ‘Josefin’, it’s astonishing stuff, and despite the appropriation of old American folk and country sounds by a couple of Swedish girls with a combined age less than Will Oldham, it’s somehow utterly convincing. Talent such as this can’t be taught, it’s a gift, one which First Aid Kit are putting to awe-inspiring use.
– Doug Johnstone, The List

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