“If Martin Hannett had lived to see 2009, I’m sure he’d have loved to produce an album like Robo_Ghost. As it happens, Keser have done a pretty good job without him. The dub-eyed urban soundscapes that Hannett unleashed with Joy Division’s Unknown Pleasures are translated in the modern vernacular…It’s a collection so image-laden that it dares you to write a dystopian movie screenplay, just so it can provide the soundtrack.”
4/5, The Skinny

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